S.No.
|
Content
|
Page No.
|
-
|
Reimagining Humanity: A Cognitive and Auteur Analysis of Guillermo del Toro's Pinocchio
Kanika K Arya & Nitesh Gole
|
1-22
|
-
|
Borgesian Vision and Contemporary Commercials: A Select Critical Exploration of Post Truth Reality
Nipan Nath & Merry Baruah Bora
|
23-36
|
-
|
Posthumanism and Speciesism: A Critical Study in T.C. Boyle's When the Killing's Done
Lavanya K M & Raichel M Sylus
|
37-47
|
-
|
Impact of British Colonial Rule on their Indian Subjects: Imposition of Academic Art and Antagonistic Reactions
Mohd. Danish & Tayyab Hussain
|
48-57
|
-
|
Reflections on Pandemic Times and the British Rule in Shashi Tharoor's An Era of Darkness: The British Empire in India
Bhaktipriya Bhargava
|
58-65
|
-
|
Virtual versus Real: A Pedagogical Nexus in the Backdrop of the Pandemic
Meenu A. Gupta & Kamalpreet Kaur
|
66-83
|
-
|
Chronicles of Women in Indian History and Her-story: A Critique of Partition Writings and Other Selected Texts
Manika Ahuja
|
84-93
|
-
|
1947 Partition Archive: Contextualising the Narratives of Trauma and Postmemory of the Community of Survivors
Aalisha Chauhan
|
94-105
|
-
|
Revisiting Trauma of Childhood through Graphic Narratives in Allie Brosh’s Hyperbole and a Half
Luffina L & Amalaveenus. J
|
106-110
|
-
|
Locating Magahi Folk Culturalism in Indian Indigenous Ecological Tradition
Rakesh Kumar Pankaj
|
111-126
|
-
|
Dancing with the Divine Unveiling the Spiritual Essence of Sādhanā in Bharatanātyam
Srilakshmi MP & Vidya Kumari S.
|
127-136
|
-
|
Gehenna: A Biopolitical Study of Rezak Hukanovic's The Tenth Circle of Hell
V. Keerthana & Narasingaram Jayashree
|
137-142
|
-
|
Dialogism in Practice: Exploring the Carnivalesque in the Selected Assamese Novels of Arupa Patangiya Kalita
Himakshi Kashyap & Pranjit Bora
|
143-153
|
-
|
The Cultural Disembodiment of the Demented Self in Selected Postcolonial Indian Novels
Sabreen Ahmed
|
154-168
|
-
|
Theorizing the Self through Dimensions of Alterity in Amruta Patil's Kari
Cyrus D. Edwin & Rimika Singhvi
|
169-183
|
-
|
Beyond the Self: The Social Dimension of Co-operation in the Short Stories of Manoj Das
Kaminikanta Mohanty & Krishna Pratap Singh
|
184-195
|
-
|
Reconstructing Selfhood: Analysing Alzheimer's Narratives in Wendy Mitchell's Somebody I Used to Know and her Digital Presence
Jayashree C
|
196-207
|
-
|
Women overcoming Marginalisation with the Use of Social Media: An Exploratory Approach
Annapurna Sharma & Mahesh Kumar Meena
|
208-222
|
-
|
Representation of the Female Body in the Advertisements of Menstrual Products
Nasmeem Farhin Akhtar & Parineeta Dihingia
|
223-229
|
-
|
Satyajit Ray on Screens: A Critical Study of Select Indian English Adaptations
Meeraba Jadeja & Chetan N Trivedi
|
230-239
|
-
|
Tracing Cinematic Mythological Narratives in Indian Films
Ravi Sehrawat & Sachin Bharti
|
240-256
|
-
|
Bikaner's Vanishing Façade: Heritage-preservation through Havelies
Nupoor Jha & Dushyant Dave
|
257-272
|
-
|
E. B. Havell and the Renaissance of Indian Art: Catalysts and Confluences in the Emergence of the Bengal School
Bilasendu Shil
|
273-281
|
-
|
Beyond the Binary: Rethinking Gender and Nature in Kalidasa's Abhigyan Shakuntalam
Aditee Sharma & Veerendra Kumar Mishra
|
282-289
|
-
|
Echoes of Loss and Longing: Women's Quest in Shafi Ahmad's 'The Half Widow'
Qurat-ul-aen Malik & Rafraf Shakil Ansari
|
290-300
|
-
|
Contours of Silence / Utterance : Navigating Female Lives in Select Visual Narratives of Partition
Rekha Karim
|
301-312
|
-
|
The Significance of Tone in Narratology and its Implications for Fiction Pedagogy
Lata Dubey
|
313-326
|
-
|
Jungle Mystery: A Study of Plot, Character and Setting in Jim Corbett's Work
Archana K. Deshmukh
|
327-338
|
-
|
Is it just the Narrator or the Author Himself? Amit Chaudhuri's Autofiction: An Exploration
P. R. Muthumeena & S Vijayarani
|
339-346
|
-
|
Reconciling Cultural Contours in Esther David's The Walled City
Jeslin Mery John & Asha Susan Jacob
|
347-356
|
-
|
Reframing the Seascapes in The Best We Could Do and Zenobia
Nair Anup Chandrashekhran & Amrutha Mohan
|
357-365
|
-
|
Hope and Redemption in Liz Curtis Higgs' Scottish Novels: A Study through the Lens of Hope Theory
I J Kavitha
|
366-372
|
-
|
Reconstructing Ethical Conflict in Chinua Achebe's Arrow of God
Aminu Suleiman & Vaibhav Shah
|
373-388
|
-
|
The Peter Pan Principle: Survival and Sustenance through Stories in Nadia Hashmi's A House Without Windows
Sapphire Mahmood Ahmed & K. Rizwana Sultana
|
389-406
|
-
|
नन्दलाल बोस और उनके शिष्यों द्वारा चित्रित संविधान की छवियों का चि़त्रकला की दृष्टि से अध्ययन
रजनी बाला एवं अनूप
|
407-417
|
-
|
La Satire chez Marcel Pagnol au contexte de La Femme du Boulanger
Nidhi Sharma
|
418-430
|
|
|
|
|
Book Review
|
|
-
|
Kathiravan Annamalai
|
431-434
|
-
|
Bhawna Vij Arora
|
435-440
|
|
|
|
|
Film Review
|
|
-
|
Rajshree Gautam
|
441-446
|
-
|
S K Abbasuddin
|
447-449
|
-
|
Narendra Kaushik & Ashutosh Kumar Pandey
|
450-453
|