|
S. No
|
Title
|
Author(s)
|
Page No.
|
|
1
|
The Road Not Taken: Anita Desai and Her Work
|
Jasbir Jain
|
1-13
|
|
2
|
Contesting ‘Ontological Blackness’: An Examination of Racial Representation in This is Us
|
Nishtha Pandey
|
14-24
|
|
3
|
Subdued Voices, Stifled Dreams: Hope to Hopelessness in a Dystopian World in Bandi’s Accusation: Forbidden Stories from inside North Korea
|
Hemraj Bansal
|
25-38
|
|
4
|
Negotiating Animal-Human Spatial Relations in and around the Partition, in Bridge Across the Rivers
|
Richa Joshi Pandey
|
39-52
|
|
5
|
“The Real Reality: Depiction of a Mentally Disabled Woman in Aparna Sen’s 15 Park Avenue”
|
ChetaliShekhwat& Garima Shrivastava
|
53-69
|
|
6
|
The Impact of Digital Media on Print Media
|
Aastha Saxena
|
70-80
|
|
7
|
An Analytical Study on Attitude and Intentions of Consumers on YouTube Programmes
|
Abhishika Sharma
|
81-97
|
|
8
|
A Study of Digital Channels used by Educational Institutes for Maintaining Brand Reputation
|
Monika Pal Singhal & Aastha Saxena
|
98-106
|
|
9
|
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|
chuktSu ,oaghjkykydqEgkj
|
107-113
|
|
10
|
Das einsame Kind‘ in ausgewähltenErzählungen von Ruskin Bond.
|
Prachi Goswami
|
114-127
|
|
11
|
La traduction des nomspropres dans unebandedessinée
|
Anuj Sharma
|
128-137
|
|
12
|
A Study of the Attitude of Teachers Towards Indian Classical Music
|
Sushma Sharma
|
138-144
|
|
13
|
Shadanga: An Analytical Study of the Pallava Sculptures of Mahabalipuram
|
P.Santhoshkumar& K. Raman
|
145-156
|
|
14
|
Manifestation of Myths and Mythology in the Odishan Mask: A Critical Observation
|
Mahesh Singh & Rajesh Bhowmik
|
157-161
|
|
15
|
Modern Assamese Theatre (1857-1900): Roots and Legacy
|
Sib Sankar Majumder
|
162-172
|
|
16
|
Book Review
|
Chinmaya Lal Thakur
|
173-176
|
|
17
|
Film Review
|
Manasvini Rai
|
177-180
|
